Dayeinu

In the last few weeks, I’ve been doing some of the exercises from Julia Cameron’s classic book, The Artists’ WayAs my children are grown and I’ve been blessed with the luxury of retirement and the ability to structure my “Act III” life to center around creativity, the book doesn’t speak to me as much as it would to those who trying to pull off whatever tiny pieces of life they can from the morass of work and family demands to nurture their creative selves. Yet, I’ve found the process of “morning pages,” (brain-dumping three pages of long-hand uncensored meanderings before I get out of bed in the morning) useful. And I’ve been glad to discover that unloading my mind’s detritus in purposefully pedantic prose hasn’t seemed to affect my ability to write more creatively in other contexts, as I first feared it would. It actually can be liberating to write without worrying about creating flow or metaphor, a clear difference from other stream-of-consciousness prompt writing that I try to load up with gems I can later grow into poems.

I usually end my morning pages with an intention for the day. And while I know that an intention is simply a way of focusing on the day’s array of opportunities, rather than some set of goals I must meet or feel bad about myself for not meeting, the tightrope between goal and intention is a fine line to balance on. In the last few weeks, prepping for Passover (extensive cooking and curating a new Haggadah) along with trying to meet my self-imposed deadline of revising an old novel and submitting it to my publisher have made it difficult to get through my general daily list of writing/revising/submitting poetry or short fiction, playing the piano, taking a walk in the woods, doing a cardio or yoga tape, and meditating–creative and self-care activities that have become essential markers of my day.

Then there are all the other weekly to-dos to fit in: writing political calls-to-action and doing immigration justice work, editing/giving feedback on writing to others, spending time (in person or virtually) with friends I care about, cooking dinner, making sure the house doesn’t fall into utter chaos–and what I call admin: emails to answer, calls and texts to return, bills to pay. The list can be endless.

And, in the last six months, I’ve spent several afternoons each week putting all of this aside to babysit for my grandchild, Manu, which is the best thing of all. In fact, for this moment with Manu, I say what we say every year on Passover, Dayeinu: It would have been enough for us.

Julia Cameron talks about the importance of making dates with your inner artist that are geared solely for playing rather than to get projects done. And in my experience, there is nothing more purely playful as putting your whole self–heart and soul–into the space of a baby newly exploring the world.

So, today, even as I will still stress about being behind on deadlines, intentions, goals, whatever, I will try to remind myself–Dayeinu. Gratitude. It’s all good.

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COVID in Cape Town

Two days into my South Africa trip, I started getting cold symptoms. I tested for COVID and was relieved to be negative, so I went on a safari and for a walk with rifle-carrying naturalists in the wild bush, chalking up the fatigue I was feeling to two consecutive red eye flights followed by the eight hour bus ride to Kruger National Park. A few days later, when we arrived in Cape Town, my husband was also coughing and sneezing. Our symptoms felt like a typical cold, but just to make sure, we both tested again. BINGO! For both of us, a flaming red line.

All our plans for Cape Town were now upended. We had hoped to hike on Table Mountain, visit Robben Island–where Mandela spent 25 years in prison–see the penguin colony and the Cape of Good Hope. We also were very much looking forward to observing a rehearsal of a youth choir run by a friend of my younger child’s. And I’d been hoping to spend many evenings at venues that offered the lush South African a capella music I love so much.

But now, we had to totally shift gears. Even though there are no isolation protocols in South Africa, we were determined to keep others safe. While we were glad not to be quarantined to our hotel room, since other than mild congestion, both of us felt pretty well, we didn’t want to do anything that might inadvertently infect others. So, in the heat, we put on our masks and found places we could walk to from our hotel. We rented bikes and rode along the beach, and when we were done, we sanitized the handlebars with hand-wipes. It felt like 2020 all over again, except that we were the ones everyone was supposed to be afraid of.

Meanwhile, we’re hanging onto the fantasy that perhaps we’ll test negative before we have to leave and we can do some of the things we wanted to do. It’s kind of the way I feel sometimes when I let my hopes get the better of me when I’m starting a writing project. Perhaps this will be the breakthrough book–the one that will everyone will read and love, or the poem published in the hot-shot journal. But perhaps not. When I tested again yesterday, that extra line was still flaming positive. It’s fine to dream, but even more important is to deal with what life gives you and make it work. A writing project, like a vacation, will be what it will. Despite all my leanings toward perfectionism, I feel grateful for each snippet the muse throws my way, just as I feel grateful to the bi-valent vaccine, for making my experience of this illness that we’ve feared for so long feel like not a big deal.

So, probably no music for me, this trip–other than listening to Ladysmith Black Mambazo on YouTube. How long before that red line disappears? Who knows? I’ll just have to be patient, put on my mask and be happy enough to sit on an uncrowded beach and watch the sunset.

 

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Taking Stock of 2022–Part I: Won’t Get Fooled Again

“An artist needs to be something like a whale swimming with his mouth wide open, absorbing everything until he has what he really needs.”–Romare Beardon

Ten days into 2022, I lost my brother, Danny–an unexpected death due to an imploded port. The malfunction had scheduled for repair, but that had been delayed due to COVID (one of many statistics that would not be included in the pandemic’s path of destruction). Beset with mental illness from the age of 15, which was later accompanied by a host of physical problems, Danny’s life was not easy and neither was our relationship. Yet, as teens, we bonded over baseball and rock music. I’d play the guitar and we’d sing together. Danny would ask me to listen as he turned the amp on high and belted along with The Who’s “Won’t Get Fooled Again.” As his illness became worse, he got more delusional about being a rock star, his stubborn insistence occasionally edging on violence when my parents tried to curtail the raucous sound from being blasted out into the neighborhood.

When I think of what I “absorbed” this year, this sad life event from early January continues to stand out despite its countering with one of my happiest life events: the birth in September of my grandchild, Manu. Both have inspired a lot of writing, and watching the awe and wonder with which Manu approaches the world fills me with a poignancy hard to describe without resorting to clichés about both the preciousness and fragility of life, and how one of the most healing things we can do for grief (at least for me) is to continue to practice gratitude and look forward, even as we continue to struggle to make sense of the cracks in our past.

Meanwhile, the echoes of Won’t Get Fooled Again continue to resonate as a backdrop on my musings, as in the song I can feel both the anger at the state of the world and (despite the sarcasm) the hope of better tomorrows that don’t need to be mere delusions. I say this after reading about the Governor of Texas sending busloads of migrants to the Vice President’s House in subfreezing weather on Christmas Eve–an anti-nativity story if there ever was one. However one feels about the situation at our borders, it’s this kind of deliberate cruelty that triggers my anger at both sides of the government for “fooling us” into thinking that they care. And yet, I hang on to the hope of better tomorrows, reflected in the many people who are on the streets, helping migrants and other unhoused people who are stranded in the cold.

I’m determined not to get fooled (or worse, despondent) in 2023. Out of grief comes hope, the awe of new discovery, and the determination to work for a better world.

 

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Gratitude, Mourning, and Alice’s Restaurant

Sometimes it’s hard for me to get into Thanksgiving, even though as a Jew, it at least feels more inclusive than the hoopla around Christmas. Yet, the holiday is still problematic, especially as we find ourselves needing to let go of the old elementary school story of the Pilgrims and Indians sitting down at the table together and sharing a big feast–perhaps a moment in our common history, but certainly not where the tragic plot ended.

So, as I attempt to pull off small bits of our family dinner menu (cooking one-handed is not easy), I expect to again be listening to the livestream of the United American Indians of New England National Day of Mourning from Plymouth. Here’s a snippet of a poem I wrote last year on that topic.

….earlier I listened

to indigenous speakers lamenting loss of their land,
made a pastry with cranberries

harvested from the place pilgrims landed,
wondered what truth in bogs,

in magenta juices
spilling onto the oven’s bottom,

refusing to be smothered
by my pale and doughy crust?

And I think this cartoon I saw on Facebook also needs some contemplation as we think about what is happening right now to immigrants in our country, the Governor of Texas going so far as to call for the National Guard to shoot immigrants on site.

But on to gratitude: One of the many things I’m grateful for is  that my ancestors were able to escape pogroms and come to this country to build a new life. That is my wish for those now facing death threats, gang violence, war, climate devastation, and other pressing issues who are now seeking to cross our borders.

Thanksgiving to me is also all about Arlo Guthrie’s, Alice’s Restaurant, which we used to search for on the car radio when we drove from Massachusetts to my parents home in New York City every Thanksgiving morning. Hilarious and uplifting in its snarky sarcasm, the best message I take home from Arlo is that we don’t need to accept that status quo, even as we do feel gratitude. I look forward to sharing this family tradition with my grandchild, Manu who will be spending his first Thanksgiving with us tomorrow.

So, whatever y’all do or don’t do to celebrate this fourth Thursday in November, I hope that as the song comes around again on the guitar, you’ll think about gratitude, and mourning, and hope for those in search of a better world.

 

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