The Power of Stories

I’ve noticed over the years that I get far more likes on social media for my personal posts than my political posts. Especially if the personal post is a happy one. It makes sense. On the whole, people would rather read something uplifting, poignant, or inspirational than the gloom and doom embedded in political messages, even when they convey what I think is important information or ask people to engage in a quick, painless action.

Because of this observation, I’ve generally been judicious about posting political content, even in these trying times. But lately I haven’t been able to help myself when nearly every day I come across another story of someone being wrongfully taken by ICE and sent to prison: sometimes here in the U.S. (although often thousands of miles away from their families), and sometimes to El Salvador, where the U.S. no longer has jurisdiction over their cases and torture and abuse are even more rampant.

In many of these cases, the people taken have no criminal record. In fact, they often have legal status: a green card, a visa, an asylum case pending. In nearly all of the El Salvador deportations, the people detained have been denied the opportunity to speak to an attorney or argue the charges against them in court. Instead they are quickly loaded, shackled onto a plane simply because someone has accused them (often based on a tattoo or hearsay evidence) of being a member of a gang.

In many cases, when ICE cannot find the person they are looking for, they make collateral arrests of whoever happens to be nearby. Sometimes these people are U.S. citizens, who are eventually released, but not until they’ve dealt with the trauma of spending several nights in jail. And those who aren’t citizens–hard-working people with no criminal record–enter the detention/deportation system, even if they have parole or asylum claims pending.

Even tourists have been arrested, strip-searched and sent to jail for visa mix-ups or under suspicion of plans to work illegally.

During this administration’s first term, when I wrote the stories in my collection Immigrants, I tried to envision the impact of DT’s policies on real people. While there were love stories that ended with deportation, a woman facing a dilemma of whether or not to bail out her housekeeper’s brother, and a mother in a squalid border encampment who sent her daughter over the bridge to the U.S. alone, there was a still a softness to the stories. I did not talk about the torture and abuse inherent in  detention facilities. I balanced these stories with others where immigrants played a positive and vital role in people’s everyday lives. And I took the stance that these people were victims in a system that had gone out of control due to misguided information and decision-making.

But in current times, these people are no longer victims; they’re prey. Deliberately hunted. Shredded. Devoured. And they don’t just include people who entered the U.S. without documentation. They’re people with legal status who are being imprisoned for writing op-eds or social media posts against the government’s point of view, or for organizing peaceful protests. Or they’re people who just happen to be in the wrong place at the wrong time.

I don’t feel like I can write any stories about immigrants any more because the true stories are too hard to read. And to write anything that waters down the truth is mitigating the effects of what is happening.

Yet, I know that as a writer, I have a responsibility to speak out.

So, on my Facebook feed, I’m posting these stories as I come across them. Most are from Witness at the Border, a group I worked with when I went to the children’s detention center in Homestead Florida in 2019 and the Brownsville/Matamoros border in 2020. You can read quick summaries of some of these cases in this Axios article,  but it’s the power of detail in the actual stories that really strikes a chord. In my fiction collection, one of my goals was to change people’s hearts and minds by inviting them to really know the characters I wrote about. The stories profiled by Witness at the Border do just that. I’m hoping we can get past the sadness and disempowerment and channel the power of these stories as inspiration to take whatever actions we can to make this stop.

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Taking the Plunge

One of the parts of the Passover seder I resonate with most is the story of Nachsun. Nachsun was at the head of 600,000 Israelites running away from Pharaoh’s army when he came to the frothy waters of the Red Sea–the end of the road marked by angry waves and deep water stretching all the way out to the horizon.

But, rather than succumb and turn back to the horrors of slavery, Nachsun plunged into the water. And it was only after this courageous act that God told Moses to lift his staff and part the waters, enabling the rest of the Israelites to cross over on the dry path.

https://www.flickr.com/photos/st-stev/2432121049

According to some Biblical scholars, “Nachsun’s name has become synonymous with courage and the will to do the right thing,” even when it’s f*ing scary.

So, I’ve been thinking about Nachsun as I read as much as my stomach and soul will let me: ICE smashing car windows to make arrests, taking random people who have legal status when they can’t find the ones they were looking for, arresting a man at his citizenship appointment, and grabbing an international student off the streets for having views that differ with the government, and defying Supreme Court orders and refusing to return a man who was sent to a prison in El Salvador by errorIn fact, there has been no due process for anyone sent to prison in El Salvador, and now the government is threatening to send U.S. citizens there, as well.

These are only a few of the incidents. There are more people effected, and more stories. What I learned from visiting the border in 2020 is that everyone had a personal story that made me cry and tug at my hair and fall into an awe-struck paralysis where there just were no words to fathom the cruelty of human beings.

But the people I met in 2020 were fleeing cruelty in their countries of origin. Here in 2025, they–and we–are facing an equal if not greater cruelty from our country, our fellow Americans, people that we (collectively) elected, whose lawlessness we continue to enable each day with our fear and our silence, whether or not we voted for them.

So, I’m pondering… how can we… how can I… be like Nachsun and jump into the water. Even if it’s cold and rough. Even if my swimming ability is shaky.

How can I keep my head above the rough waters and shout, NOT IN MY NAME!

Not in my name as an American, and not in my name as a Jew who rejects the contorted use of antisemitism as an excuse for this barbaric behavior and understands that the definition of a concentration camp, “a guarded compound for the mass detention without hearings or the imprisonment without trial of civilians, refugees, members of ethnic minorities, political opponents, etc.” fits this situation far too well.

In the Passover liturgy, the word for Egypt, Mitzrayim, refers to “The Narrow Place,” and some of the observance consists of reflecting on how each of us as individuals can get past the obstacles that constrict us and emerge into a wider and more abundant state of being.

I’m thinking we need to do this as a country, maybe even as a species.

How can we stop being cruel? How can we jump into the water and believe that some hidden internal goodness–divinely inspired or otherwise–will save us?

Writing in Dark Times

I haven’t been writing much lately. Between family health care issues and a full-scale constitutional crisis, aka coup, I’ve been thrown into what feels like a cyclone of political organizing. One could say I’ve been writing like crazy, but it’s all calls to action, newsletter updates, emails, and carefully constructed agendas–left brain stuff that speaks to my skill set, but doesn’t quite feed the hungry monster inside who only likes the juicy, creative stuff.

And yet, the questions came up once again this morning in one of my Zoom writing groups:

  • How do we write in these times of upheaval?
  • Does anything we write matter?
  • Do we have a responsibility to use our writing to speak out?
  • What if we don’t want to write about political things–or feel like we can’t write about political things without having our work turn into a rant or some didactic prescriptive cliché?

Ted Eytan/Flicker/Creative Commons, nhpr.org

As someone who embraces the dual identities of writer and activist. These are questions I’ve struggled with all my life.

Back in my 20s, I lived briefly in a social change community in Philadelphia, learning facilitation and organizing skills, studying theories of nonviolence, and engaging in personal growth initiatives, which included being frequently challenged on my choices and attitudes. I remember one person from the community saying something like, There’s no point in writing all these poems about your feelings. You can get counseling on those. Write poems about the state of the world that matter. 

I know that all writers store hurtful comments that lodge like ear worms in our brain. This was one of mine. It probably took thirty years before I could hear it in my head without feeling reactive.

No one should dictate what we should write, even when people are being well meaning, such as the numerous times a friend or acquaintance has said to me, you should write a story about  ______________.

No, I always say. You should write that story.

Ask me, if you need my help, to write an article, a flyer, or a delicate email. Ask me for feedback or editing on your story. But when it comes to poems, or fiction, or essays, I’ll choose what I want to write about–thank you very much.

This doesn’t mean the questions above are invalid–only that each of us needs to answer them for ourselves. In the last ten years, I’ve been motivated to write more things that might be considered “political,” but this is because I’ve figured out a way to approach them from a personal angle. For instance, my poem, Evening, recently published in Collateral, a journal that defines their mission as “publishing literary and visual art concerned with the impact of violent conflict and military service beyond the combat zone,” layers reflections on the Gaza War as I’m playing with my grandchild in the backyard.

Whether or not our writing becomes an overt call for action during these dark times, it still matters. There are countless articles on the Internet on the role of art not only as a political catalyst, but also as a force that heals–both the person who creates it and those who read, or view, or listen to it. I remember shortly after the 2016 election, when many in my community were caught in a tizzy of fear and disorientation, a close friend who is a visual artist said to me, “The best thing we can be doing right now is our creative work.”

I’m glad this is another ear worm that has also stuck in my brain, inspiring me to keep doing the work.

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Rage, Rage Against the Dying of the Light

The day I arrived in New York to help deal with my father’s medical emergency, they were repairing the sewer pipe under my parents’ house.

The onslaught of noise was deafening as workers cut through an entire square of concrete then lowered themselves into the cavernous maze of underground pipes to search for the blockage. It took them two days to find the troubled spot, which had already plagued my parents for a week: no showers, no laundry, minimal dishwashing, and a directive to flush the toilet only when absolutely necessary. And after all that noise and digging, the blockage turned out to be not in the area where they’d dug at all. They found the problem in the sad little brick-enclosed square of dirt my parents call the “front yard”–under a rosebush that had already been reduced to small rootball and a few aspiring fronds.

The next day, when my father was officially referred to hospice and people rained all that “death is a passage” stuff on us, I thought about that sewer pipe–also a passage. And I also thought about the Dylan Thomas villanelle and its repeating haunting lines: Do not go gentle into that good night … Rage, rage against the dying of the light.

It isn’t that I want my father to fight against the reality of his dying. I feel grateful that he is not–and has never been–an angry or vengeful person. Even in his compromised state, while depressed about what is happening, he continues to exude kindness and express love and gratitude to those around him.

But I feel like raging. Not at the inevitability of my father’s death, but at the sadness of seeing him so frail and unable to do things for himself–the “dying” of my image of my 90+ year-old parents as timeless icons of longevity.

And I feel myself raging against the barely flickering “light” of my country. Yet this rage feels like a fruitless kick-the-floor-and-flail-my-arms temper tantrum. Pundits tell us to keep breathing and find joy. The sun is brilliant on the half-inch of freshly fallen snow today. But where is the balance between digging and doing what we can and totally abandoning ship, closing our doors and taking out whatever might constitute our modern-day “opium pipe” to lose ourselves in a stupor of disempowerment and apathy.

I’m forever grateful to Bishop Marianne Edgar Budde, who was able to channel her rage into a calm and quiet plea for mercy, focusing the whole time she spoke, toward whatever light might be left that’s still shining on who we could be–individually and collectively. And I’m wondering if that’s the kind of light that flashes before our eyes as we near the end of our lives in addition to reliving all of our life’s significant moments. I’m wondering what my father, an Emmy Award-winning journalist, is thinking as he sits hooked up to his oxygen machine with the New York Times spread on his lap, trying to stay awake long enough to get through more than a paragraph and make sense of all that’s happening around him.

Rage, rage, against the dying of the light.

While we all have to accept death, as hard as it is, we mustn’t go gentle into this dark time, or accept the numerous attacks on our Constitution as the legitimate prerogative of a new leader. I feel grateful for the many in our community who are joining together and channeling their quiet rage into action. Death may be a lonely endeavor, but raging can be a community enterprise. I’m grateful to the many who are standing up to support immigrants, transgender people, the environment, and the many other important issues that are under attack.

In fact, what keeps me finding joy is knowing I have community–both to support me during this difficult personal time and to work together on keeping the light shining.

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