A Fiction Writer’s Guide to Fractious Thanksgivings

As a child on Thanksgiving, one of the things I most looked forward to–after the turkey, the stuffing, and the apple pie–was “The Argument.”

It was kind of like a sport. On one side would be my grandfather and Aunt Rita. On the other side would be just about everyone else: my parents, our close family friends: Bill & Jo, and–to the extent we could participate–my brothers and me.

Though the details of the news cycle changed over the late 60s and early 70s, the overlying arguments were always the same. Should we be in Vietnam? And did nuclear proliferation make any sense at all?

If I already have enough bombs to destroy the world a million times, I remember my mother arguing. There’s no reason I need enough bombs to destroy the world two million times–no matter what Russia does.

At this point my grandpa or Aunt Rita would launch in about the evils of Communism: Russia, Red China, world take-overs.

No one was ever declared the winner or loser in these yearly arguments. It was just something we did before getting out the poker chips–where there would be winners and losers, but only for chips so it didn’t matter. And I don’t remember any real antipathy expressed against those who held a different opinion. No cutting remarks about “owning the liberals,” or accusations of racism, ignorance, or “wokeness.”

My grandfather was one of the kindest, most generous people I knew. So was Aunt Rita, a devout Catholic and an active member of the Republican Party for decades. She sent us all so many cards with checks in them, my father joked that she was running a foundation. And on a Thanksgiving Day several years later when my brother ratted me out for sleeping with my college boyfriend after I confronted him about stealing the cash in my jewelry box and everyone else reacted with stony shocked silence, it was Aunt Rita who took me aside, pressed a twenty-dollar bill in my hand, and told me that whatever people did in loving relationships was just fine.

So, of course, I’m thinking about all of this as we head into this year’s Thanksgiving. I’ve already had moments of drama and trauma with some extended family that have left me feeling far less generous and forgiving than Aunt Rita–or any of us–were during those long-ago arguments. And I’m personally not in a place to take the Pollyanna route and conclude with some cliché about how we need to love everyone, regardless of their ideology. No matter how well-meaning and caring some people might be in their personal lives, I can’t get past their enabling a leader who has built his whole campaign on hatred of others.

Yet, this doesn’t excuse those of us on “the blue team” from dismissing their concerns, or deriding them as human beings, no matter how “wrong” we might think they are. So this gets at the conundrum: how do we keep ourselves, those we love, and those groups of people whom we may not know but still care about, safe from the augmented rhetoric that has been fomented to target them.

I don’t know the answer, but I do know that as a fiction writer I’ve had to infiltrate the minds of some characters who are about as different from me as possible. And I’ve had to make them fully developed, with fears, aspirations, prejudices, dreams, secret fantasies. A standard concept in character development is that the reader only sees the part of the iceberg above the water, but in order to make the character and their motivations authentic, the writer has to know and fully understand everything underneath.

So, maybe part of the problem, regardless of which “side” one might be on, is that people aren’t seeing anything more than the tip of the iceberg.

What would it be like to treat the uncle who drives you crazy as an exercise in character development. There are many great lists of questions you can ask yourself about your character in order to understand him better, and hopefully gain some compassion so that if you were to write him in a scene, whether people liked him or not, there’d be something about him that would make your readers care.

And a braver step, if you happen to be sharing a Thanksgiving table, what would it be like to ask your uncle to do the same exercise for someone from a targeted group–a trans teenager, or a woman from Central America whose husband has just been killed by gangs and is now fleeing for her life.

As Arlo says, if just 50 people a day….maybe it’s a movement…

Happy Thanksgiving!

A Thanksgiving staple–my cranberry upside down cake. Photo by Shel Horowitz

Plodding

It’s Friday evening and I haven’t written a blog post all week. I can give a typical round of “a very busy ‘to-do’ list,” or “dog-ate-my-homework” excuses, but the real reason is that I haven’t been motivated. Usually, once an idea starts tickling me, it’s no problem to sit down and write, but that didn’t happen this week.

And despite my lack of creative zing, I had to write a poem every day, or, at least, a few lines dressed up as a poem for 30 Poems in November. That was about all I could corral my writer mind into doing.

In fact, earlier today when I suddenly made a rare decision that it was time to tackle the mound of homeless papers that hadn’t found their way to my file cabinet–a task that would involve emptying the file cabinet of papers that no longer needed to be there–I completely forgot that I was about to blow my streak of blogging 34 weeks in a row.

So now I’m writing against a deadline, plodding along even though my heart isn’t in it.  Sometimes, when The Muse is AWOL, plodding is where it’s at. Every novel or long CNF work I’ve written would have never been completed if I hadn’t sucked in my breath and resolved to plod my way through, even on days I had no motivation.

I know my lack of motivation right now comes from being shell-shocked by the election results and the shock-and-awe tactics of bad and worse news coming down the pipeline quicker than I can respond to it. Likely I’m not the only one who’s overwhelmed by the onslaught of news stories, emails, and newsletter posts urging me to take some sort of action: calls to listen to, more articles to read, phone calls to make–all of which feel crucial and important.

But there are far more actions than I could possibly do.

So I plod along, careful to prioritize the things I’ve already committed to, like working with my immigration justice group to help build a wider coalition in our community, and writing calls-to-action for Rogan’s List, a very useful way of keeping on top of the news and plugging in where you can.

But even these things feel like very small steps to address the morass–like trying to fend off a big wave with a small flick of my hand.

How not to drown?

The only way I know is to make sure I take time for the self-care I need and keep on plodding. One action, one poem, one blog post at a time.

And to remember the story of The Hare and The Tortoise. How the tortoise won.

Another Believer, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons

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FINDING VOICE

The night after the election, instead of doing my regular piano practicing, I sat down with Rise Up Singing and played John Lennon’s Imagine. It’s become my anthem. Then I went through the entire book, and played a whole bunch of songs that give voice to hope–even if hope is so wispy right now, it’s hard to find enough to lift myself out of bed every morning.

Photo: D. Dina Friedman

I played Let it Be, Love Call Me Home, The Rose, If We Only Had Love, and How Can I Keep from Singing.

And I sang along.

I’ve been struggling with vocal issues during the past couple of years, which has made singing difficult. But I’m now taking voice lessons and it has been thrilling to start recovering my singing voice. When I can sing without losing my breath or croaking into raspy-ness, I feel giddy with power.

And these things feel like what I need right now–giddiness, and, at least, a flicker of power.

In the writing world we talk a lot about finding or accessing one’s own writing voice. It can often take months or years before we find our “groove,” a way of expression that feels uniquely our own.

And in writing, our voice can change over the years as we experiment with new and different approaches. As in singing, we might at times lose our voice (writers’ block) for a while before we find it again.

Let’s trust that even in this very difficult and scary time we will find our voices and use them to speak our truths.

And let’s keep holding onto the vision of Imagine.

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Leaning Into Hope

Today (Election Day) is going to be a hard day for many of us. And it’s likely we won’t know the outcome tonight–or what the aftermath will bring if the election is contested and violence erupts. It’s pretty f-ing scary.

Some people say they’re feeling optimistically nauseous. Others just report feeling nauseous. And again–likely thanks to climate change–it’s going to be unseasonably warm in New England. One of the three maple trees that shares my property is still quite glorious.

Photo: D. Dina Friedman

I will lean into the beauty of that tree as a way of reaching toward hope.

According to Rabbi Shai Held from the Hadar Institute, Hope is not the same thing as optimism. Optimism belies the gravity of the moment by painting it over with rosy-ness. Hope, according to philosopher Paul Ricoeur, is “a passion for the possible.” Philosopher Terry Eagleton in his book, Hope Without Optimism defines hope as, “a movement toward the good, not simply a craving for it.”

In other words, Rabbi Held argues, “hope involves commitment.”

I’ve already voted, so today I will continue to research phone numbers for voters in Pennsylvania who need to cure faulty ballots. And I’ll also write my daily poem for 30 Poems in November, because art matters. Here is the poem I wrote for 30 Poems in November on Election Day 2020. I think it’s still relevant. Hopefully it will be reassuring. Or inspirational.

ELECTION DAY 2020
D. Dina Friedman

Remember, a strong rain is what we need.
Plant the tulips, the daffodils,
before the ground hardens, and remember
the miracle of mud on your baby fingers,
your great-grandmother, who crossed chopping seas
to avoid the mobs with the knives. Remember,
as you stand outside today holding your sign,
or entering to make your mark in the oval,
you are one of a chain of humans
whose most grievous sin was trying
to make the world better. Remember
the small creatures taking refuge
under the lawn, and the children ripped
from their parents’ arms at the border.
Reach for them. Remember waves
are part of the ocean and you are water.
Swim. Let it hold you from the outside and in.
Drink a river of water today. Hold the flow
in your trembling belly and remember the moon
and your magic. How you were born
to hold the world like a large water-filled bowl.
Ask a loved one to touch your cheek
just above where the mask ends, and tell you
the morning sun will rise out of the desert,
the wind will blow away the dust.

And here’s another poem that burrowed deep into my heart: Accepting Heaven at Great Basin by Nathalie Handel. I’ve found it so helpful in getting through the past few days. Hopefully you will, too.

I may also go to the garden center and buy some bulbs to plant. And knowing that my candidate smiles more than the other one, I’m wearing this shirt today for luck. And trying, myself, to keep smiling.

Photo: D. Dina Friedman

Holding the Stories of Others

In 2014, I visited the Galilee, and stayed with one of three Jewish families in the Druze village of Peki’in. They were an older couple, Holocaust survivors from the Netherlands, and they lived right next door to the carob tree that Rabbi Shimon Bar Yochai, author of the Jewish mystical book, the Kabbalah, supposedly subsisted on for 13 years when he fled the Romans and had to hide out in a cave.

In addition to visiting the tree, we visited a “national park” nearby, which was mostly filled with scrubby desert flora. But in the middle of the area sat an old stone church, and in front of the church sat an old man wearing a keffiyeh. Our host asked the man why he was there and the man told us his story. He had been 11 years old in 1948 when the Israeli soldiers came into his village. They told his mother she had to leave–for just a couple of weeks, they said. They needed to do some work and then it would be fine to return. They could leave most of their things–no need to take the donkey.

When they returned, the entire village had been razed. Only the church was left standing. Later the government turned the area into a national park, ironically charging admission for this man to enter his own village, where he sat day after day on a one-person vigil to commemorate what had happened to his home.

Later that night, our host told his story. He’d been a “hidden child,” sheltered by a Christian family during the war. But the trauma of being left by his parents (who ended up killed in the death camps) had never fully subsided.

Last night I went to hear a reading and talk from the Palestinian poet Mosab Abu Toha, who, in response to a question about the value of writing poems at times of such death and devastation, said that as poets we need to hang on to the stories–and we have a responsibility to tell them.

Mosab Abu Toha’s work does just that. He portrays Gaza through the lens of the people that live there. I think this is one of the reasons that poet Audre Lorde said, Poetry is not a luxury; it’s a necessity, the quote that begins Abu Toha’s new book, Forest of Noise.

When I went to the border in early 2020, I heard many stories from people that kept me awake at night, and kept me crying for days and weeks after I returned. I wrote poems about some of these stories; and I also wrote poems about the man in front of the Church in the Galilee and our Holocaust survivor host in Peki’in. But I continue to worry that capturing these stories in poems is not enough. For weeks, months, and even now, all of us on the border trip have continued to feel the weight of these stories. How can we keep ourselves healthy and lean into joy without discounting or ignoring the moral imperative for action that these stories should lead us to?

And how do we untangle the knots when stories contradict each other? How can we move into a space that rejects the idea of right and wrong, a space that has no sides?

My friend and compañera on the border trip carried this sign everywhere she went.

Photo: D. Dina Friedman

May it be so. B’aruch Ha’Shem. Inshallah.

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Spiders and Rocks and Poems, Oh My!

Once again, I’ve signed up to write 30 Poems in November to benefit the Center for New Americans, which provides English classes and many other types of advocacy for immigrants here in western Mass. And once again, as October draws to a close, I’m feeling that trepidation of adding one more item to my to-do list, wondering how I’m ever going to churn out 30 poems in a month–even poems that are unfinished and far less than stellar.

It hasn’t helped that my writing life has slowed to a crawl. Paperwork related to my father-in-law’s death, last minute election volunteering, putting the garden to bed, health issues with relatives, the Jewish holidays, my grandchild’s birthday, editing deadlines, and a flurry of visits with friends and family have made it hard to get to my desk as often and regularly as I’d like. Even this blog post–which I usually aim for mid-week–is late. (I just got a warning post from SubStack, letting me know that I had only two more days to fulfill my pledge of blogging weekly, LOL!)

But one of the things I love about writing 30 Poems in November is that permission to slow down. To make writing practice front and center again.

I find I’m most successful at birthing poems when I can be out of my to-do list and into what I think of as the fuzzier part of my brain. Then, I just let the pen flow and the words come–sometimes easily, and sometimes with a bit of effort, but the trick, for me, is not to try too hard to construct *a poem* as much as let myself sense what I’m sensing and free associate from there. And from that pile of words, I can often sift through and find the gems, threading my path forward.

The hardest part is to let the chaff fall away–the distractions, the judgment– and let myself fall into the “wow” of whatever is underneath all that detritus.

Photo: D. Dina Friedman

And lately, when I need lessons in falling into the sensual wonder of discovery, I get them from my two-year-old grandchild Manu. Recently, he’s been entranced with the abundant display of Halloween decorations in his neighborhood: the furry spiders perched on the hedges, the life-sized dragon with the blinking red eyes, the pumpkin faces, the creepy hands sticking out of the ground, the lanterns hanging from the trees.

Photo: D. Dina Friedman

Every day, he asks to see the dragon and the spiders. He takes his time, exclaiming, Oh, there’s another spider! before rushing over to investigate and dig his little hands into the fur.

 

After the “spider house,” we go next door to the Japanese rock garden, where he watches the brightly colored fish, and rains handfuls of small, cool rocks, listening to the pleasing sound they make when they hit the ground.

Poems are everywhere. Hopefully, some will come to me this November.

Photo: D. Dina Friedman

And yes, please consider contributing to my fundraising page for this worthy cause. No donation is too small! Many thanks. Happy Halloween and Happy November!

 

Tomorrow Never Knows

Despite the occasional seduction of signs advertising $5 palm readings, I’ve always been afraid of fortune tellers.

Gunnshots (Don), CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons

If there’s going to be bad news, I don’t want to hear it. Just as I don’t want to read disturbing news stories with clickbait headlines. Heck, I don’t even want to watch my teams lose at sporting events. Last week, I walked away from the Mets/Phillies game when the Phillies threatened the Mets’ slim lead in the 9th inning. If it was going to be bad, I didn’t want to watch.

So, I totally understand my father when he says he doesn’t want more medical testing to explore what might be causing his occasional bouts of delirium and physical instability.

Because he’d rather spend what remains of his life in ignorant bliss. He’s 93. He’s had a good life. He doesn’t want his remaining time to be consumed with thinking there may be something wrong with him.

And for the moment, the delirium has subsided. He’s feeling ok, happy to do his puzzles and watch the Mets and Yankees in the playoffs.

As I’ve continued my fledgling practice of mindfulness meditation, I’ve seen a lot of my stress ebb away as long as I can eschew the nagging of my to-do list and keep myself in the present moment. There are some definite perks in stepping off the worry treadmill and refraining from obsessing over the great unknown. Even if there’s an aspect of “flying by the seat of my pants,” when situations encroach that demand my attention, I’m convinced I make my best decisions in the reality of the present rather than to adapt to a foggy future.

And–at least for me–I feel the same way about trying to plot the trajectory of a novel (or even a short-story). I could probably save myself a lot of time if I had a better idea of where I was going when I sit down in front of the blank page or the blank screen, but the reality is I have no idea what my characters are going to do until they’re faced with the situation. Sometimes they make the “wrong” decisions and the story goes nowhere. And–unlike most of life–I get to backtrack and revise. But if I try to gauge the ending of a story before paying close and careful attention to the beginning and the middle, I end up with flat and predictable characters and outcomes, instead of carefully nuanced and surprising twists.

This is not to diss outlines for those people who find them useful.  But I would caution people not to be too attached to their initial ideas. Give your characters free agency and they will surprise you. As John Lennon said,  “Life is what happens to you while you are busy making other plans.” Tomorrow never knows.

Tony Barnard, Los Angeles Times, CC BY 4.0 <https://creativecommons.org/licenses/by/4.0>, via Wikimedia Commons

So, I’ll keep trying to cherish the present–and savor the discrete precious moments of the last few days in New York watching baseball games with my parents, even as they might nod off into dreamland, and even if–unlike me–they’re resilient enough to watch when their teams are losing.

 

 

 

New Year’s Musings: Forgiveness and Aspirations

For the past five years, I’ve done a self-reflective practice during the month of Elul, the 29 days preceding the Jewish New Year (which we celebrated on October 2-4 this year) where I focus intensely on my aspirations for the coming year, as well as my current short-comings, places where I’ve “missed the mark” in who I want to be as a person. During that month, I try to journal more than I usually do, often in response to inspirational readings and self-reflective questions I find on on-line, or books written by spiritual leaders in various traditions.

Cathryn Lavery cathrynlavery, CC0, via Wikimedia Commons

What comes through loud and clear, no matter how much (or how little) I journal, or what I choose to read, is that forgiveness—especially self-forgiveness–lies at the heart of personal growth. Even when I may be regretting something I’ve done that may have hurt someone else, and feel compelled to ask their forgiveness, I find that I can’t let the incident go until I’ve forgiven myself.

Forgiveness is a hallmark of many faith traditions, but even those of us who don’t follow a strict religious path (and I include myself in that category as a mostly secular Jew), can incorporate it into our personal growth plan. In fact, forgiveness can be kryptonite to the nudgy inner judge. What would our lives be like if every time that nasty voice reared its ugly head with some critical, self-deprecating comment, you simply answered by smiling and saying, yes, but I’ve forgiven myself for this.

The flip side of forgiveness is aspirations. When I went through old papers a few weeks ago, in attempt to create a more sacred space (while practicing forgiving myself for my messiness!) I was touched to find a journal entry from the past secular New Year in January. I wrote:

I was (am) a writer who is setting even deeper roots in a community of writers. The past year brought out that it is ok to be successful. That I have a voice that matters. That others have a voice that matters. That it’s important to me to nurture other people’s voices as well as my own. I value community. I stand for expression and an artistic standard that I would like to encourage others to reach for, and what I would like to keep improving in myself. I want to communicate what deeply matters—to humans, and to the world. My writing is now central to my life. It is what I am.

I followed this with a list of wishes. Some were pie-in-the-sky, like getting a story from Immigrants optioned into a movie. Others were possible, but not likely to happen, such as getting an agent who believed in me and my work and saw it as more than a commodity. But what stood out was this:

My biggest hope was to be taken seriously by everyone as a real writer whose craft is at standard and whose art and messages matter. I would like to be seen by others as a person of integrity and depth whose words and perspectives matter.

This is my New Year’s wish for all of you–in whatever you do. May your words, images, music, movement, actions, thoughts and perspectives matter.

Shanah Tovah!