The Power of Stories

I’ve noticed over the years that I get far more likes on social media for my personal posts than my political posts. Especially if the personal post is a happy one. It makes sense. On the whole, people would rather read something uplifting, poignant, or inspirational than the gloom and doom embedded in political messages, even when they convey what I think is important information or ask people to engage in a quick, painless action.

Because of this observation, I’ve generally been judicious about posting political content, even in these trying times. But lately I haven’t been able to help myself when nearly every day I come across another story of someone being wrongfully taken by ICE and sent to prison: sometimes here in the U.S. (although often thousands of miles away from their families), and sometimes to El Salvador, where the U.S. no longer has jurisdiction over their cases and torture and abuse are even more rampant.

In many of these cases, the people taken have no criminal record. In fact, they often have legal status: a green card, a visa, an asylum case pending. In nearly all of the El Salvador deportations, the people detained have been denied the opportunity to speak to an attorney or argue the charges against them in court. Instead they are quickly loaded, shackled onto a plane simply because someone has accused them (often based on a tattoo or hearsay evidence) of being a member of a gang.

In many cases, when ICE cannot find the person they are looking for, they make collateral arrests of whoever happens to be nearby. Sometimes these people are U.S. citizens, who are eventually released, but not until they’ve dealt with the trauma of spending several nights in jail. And those who aren’t citizens–hard-working people with no criminal record–enter the detention/deportation system, even if they have parole or asylum claims pending.

Even tourists have been arrested, strip-searched and sent to jail for visa mix-ups or under suspicion of plans to work illegally.

During this administration’s first term, when I wrote the stories in my collection Immigrants, I tried to envision the impact of DT’s policies on real people. While there were love stories that ended with deportation, a woman facing a dilemma of whether or not to bail out her housekeeper’s brother, and a mother in a squalid border encampment who sent her daughter over the bridge to the U.S. alone, there was a still a softness to the stories. I did not talk about the torture and abuse inherent in  detention facilities. I balanced these stories with others where immigrants played a positive and vital role in people’s everyday lives. And I took the stance that these people were victims in a system that had gone out of control due to misguided information and decision-making.

But in current times, these people are no longer victims; they’re prey. Deliberately hunted. Shredded. Devoured. And they don’t just include people who entered the U.S. without documentation. They’re people with legal status who are being imprisoned for writing op-eds or social media posts against the government’s point of view, or for organizing peaceful protests. Or they’re people who just happen to be in the wrong place at the wrong time.

I don’t feel like I can write any stories about immigrants any more because the true stories are too hard to read. And to write anything that waters down the truth is mitigating the effects of what is happening.

Yet, I know that as a writer, I have a responsibility to speak out.

So, on my Facebook feed, I’m posting these stories as I come across them. Most are from Witness at the Border, a group I worked with when I went to the children’s detention center in Homestead Florida in 2019 and the Brownsville/Matamoros border in 2020. You can read quick summaries of some of these cases in this Axios article,  but it’s the power of detail in the actual stories that really strikes a chord. In my fiction collection, one of my goals was to change people’s hearts and minds by inviting them to really know the characters I wrote about. The stories profiled by Witness at the Border do just that. I’m hoping we can get past the sadness and disempowerment and channel the power of these stories as inspiration to take whatever actions we can to make this stop.

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Taking the Plunge

One of the parts of the Passover seder I resonate with most is the story of Nachsun. Nachsun was at the head of 600,000 Israelites running away from Pharaoh’s army when he came to the frothy waters of the Red Sea–the end of the road marked by angry waves and deep water stretching all the way out to the horizon.

But, rather than succumb and turn back to the horrors of slavery, Nachsun plunged into the water. And it was only after this courageous act that God told Moses to lift his staff and part the waters, enabling the rest of the Israelites to cross over on the dry path.

https://www.flickr.com/photos/st-stev/2432121049

According to some Biblical scholars, “Nachsun’s name has become synonymous with courage and the will to do the right thing,” even when it’s f*ing scary.

So, I’ve been thinking about Nachsun as I read as much as my stomach and soul will let me: ICE smashing car windows to make arrests, taking random people who have legal status when they can’t find the ones they were looking for, arresting a man at his citizenship appointment, and grabbing an international student off the streets for having views that differ with the government, and defying Supreme Court orders and refusing to return a man who was sent to a prison in El Salvador by errorIn fact, there has been no due process for anyone sent to prison in El Salvador, and now the government is threatening to send U.S. citizens there, as well.

These are only a few of the incidents. There are more people effected, and more stories. What I learned from visiting the border in 2020 is that everyone had a personal story that made me cry and tug at my hair and fall into an awe-struck paralysis where there just were no words to fathom the cruelty of human beings.

But the people I met in 2020 were fleeing cruelty in their countries of origin. Here in 2025, they–and we–are facing an equal if not greater cruelty from our country, our fellow Americans, people that we (collectively) elected, whose lawlessness we continue to enable each day with our fear and our silence, whether or not we voted for them.

So, I’m pondering… how can we… how can I… be like Nachsun and jump into the water. Even if it’s cold and rough. Even if my swimming ability is shaky.

How can I keep my head above the rough waters and shout, NOT IN MY NAME!

Not in my name as an American, and not in my name as a Jew who rejects the contorted use of antisemitism as an excuse for this barbaric behavior and understands that the definition of a concentration camp, “a guarded compound for the mass detention without hearings or the imprisonment without trial of civilians, refugees, members of ethnic minorities, political opponents, etc.” fits this situation far too well.

In the Passover liturgy, the word for Egypt, Mitzrayim, refers to “The Narrow Place,” and some of the observance consists of reflecting on how each of us as individuals can get past the obstacles that constrict us and emerge into a wider and more abundant state of being.

I’m thinking we need to do this as a country, maybe even as a species.

How can we stop being cruel? How can we jump into the water and believe that some hidden internal goodness–divinely inspired or otherwise–will save us?

Worrying

On the pre-visit questionnaire for a recent medical appointment, I once again came face-to-face with the familiar anxiety screening questions:

–Are you feeling nervous, anxious, or on edge?
–Are you worrying too much about different things?
–Are you feeling like you can’t stop or control your worrying?
–Are you feeling afraid, as if something awful might happen?

Though I dutifully clicked the “no” box for each of these questions, I wanted to add in a “but” and a nervous giggle. I knew I didn’t have what they were looking for in terms of clinical anxiety, but how could I not feel anxious, depressed and on edge every time I scroll social media, hear a blip on NPR, or open my email?

Vincent Le Moign, CC BY 4.0 <https://creativecommons.org/licenses/by/4.0>, via Wikimedia Commons

How could I not be worried?

And what weighs on me more: how do I balance my mental health by controlling worry, with the stories of people being literally kidnapped and sent to CECOT, a torturous prison in El Salvador. (Despite the media hype and MAGA speech about gang affiliations, 75% of the people in CECOT have no criminal history!)

How can I not worry when students are arrested, detained, and threatened with deportation for peaceful protesting, when visas of international students are revoked for no apparent cause, when long-time foreign residents are suddenly kicked out of the country?

How can I not worry when due process has been suspended and court orders are being ignored? And when collateral arrests in ICE raids include U.S. citizens with no rectification or apology?

How can I just let these stories slide off me like a momentary annoying wave that rolls out to sea as I continue with my life? And what’s happening to immigrants is only one of many disturbing developments since the new administration took office. How can I not worry about the BIPOC and LGBTQ communities? About women? About children in poverty?

Like many American Jews who came of age in the 60s and 70s, I grew up in the shadow of the Holocaust. Even though my family wasn’t directly impacted, the stories were told: The Germans watched as the Jews were rounded up… marched off…

Of course there were many good people in Nazi Germany who risked their lives trying to help those who were targeted. And I don’t believe the rest were all bad people. I’m sure there were some who naively believed the lies being told. And there were probably others who were told not to worry. Take care of yourself. As we’re being told every day. Even by our colleagues in the activist world.

I know I do need to take care of myself–and that spending more time worrying is not going to help. But the same perfectionist tendency that tries to rule my artistic life has been clawing at my activist self. If I’m not doing everything I could possibly do at this moment as perfectly as possible, than I’m likely not doing enough, it tells me. So the conundrum is figuring out ways to do even more than I’m doing and to be as effective as possible, without succumbing to the paralyzing guilt of perfectionist demands that minimizes the impact of my actions and just leads to more worrying.

As much as I like this video, the Bobby McFerrin song,  “Don’t Worry, Be Happy” doesn’t seem to apply right now. I need to worry AND I need be happy, but not so worried or so happy that I don’t take every opportunity I can to act.

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Confidence

Despite coming down with COVID a few days afterwards, my time at AWP, the big writing conference put on every year by Associated Writing Programs, greatly surpassed my expectations. This was huge, because my introvert interior had been raising a fair amount of ruckus trying to convince me not to go.

How did I get beyond my general dislike of intensive networking and chatting up strangers and vague acquaintances? I think Julie Andrews said it best–Confidence. (My 2 &1/2-year-old grandchild is obsessed with Do-Re-Mi, so I’ve been watching a lot of Julie Andrews, lately.)

I only went to AWP once before, ten years ago, when I was a student in an MFA program and at a low point in my writing life. As an older student who wasn’t into going out drinking every night after residency activities, I didn’t establish the strong connections that many of my classmates had. And I’d already achieved the goal held by so many–of publishing a novel (two, actually) with major publishers. The problem was I couldn’t seem to publish anything else because my books hadn’t met company sales expectations, even though both won awards and one went into six printings.

So I’d been floundering for a few years before I decided to take the plunge into an MFA program. Even then, the decision spurred more from the love of learning than with strong expectations of getting my writing life back on track. I certainly learned a bunch, but while the approach to learning writing through close analytical study and imitation of “successful” writers helped me polish many elements of craft, I felt like I was losing the connection to my own voice that I’d honed over the years with a more generative and positively focused approach.

And as my voice floundered and rejections continued to pour in, I lost my confidence.

What I remember about being at that AWP ten years ago was feeling that I didn’t belong. The journals and presses there were part of the MFA world, a world in which I didn’t feel included. So I didn’t talk to many of the people behind the tables. I walked the floor silently, feeling maybe a bit too sorry for myself. But when someone’s in the thick of writer depression, it’s hard to claw your way out.

So, what changed?

(1) Community: While I didn’t find a strong community in the MFA program, I did realize how important community was. It again took some arm-wrestling with the introvert, but shortly after I graduated, I started expanding my writing community. Forcing myself to go to a monthly reading put on by a local writers association led to an invitation to join a poetry critique group, which brought me a whole new circle of dear and trusted friends. And when the pandemic hit, joining on-line generative writing communities anchored near and far helped address the profound isolation of that time, even if it seemed strange to feel so connected to people I’d only seen in a box on my computer screen.

And one thrill from this past AWP was to meet two of these people for the first time: Sage and Carla in real life.

(2) Persistence: Somehow I got back in the submission saddle. Big time. With a goal of getting 100 rejections every year. And with these rejections came acceptances. And many of the journals who accepted my work were at this year’s AWP.  So I could go up to them and say, “Hi, you published a poem of mine in your journal. Thank you!” Hint: if you do this, it helps to have the name of the poem and the year it was published. And then, take a picture, as I did with Brian, who published my poem Horses in the Gully in his first edition of Tofu Ink, and bought my poetry book, Here in Sanctuary–Whirling.

In fact, it was my poetry book’s publisher Querencia’s participation at AWP that provided the final reason to draw me there, and I loved being part of an offsite reading they organized with Alternative Milk, fifth wheel press and many worl(d)s.place.  But having community and a publishing track record kept my sulky introvert at bay as I walked the tables of the trade show floor. This time, I browsed journals and small press titles, asking editors what kinds of work they were looking for. My conversations affirmed that these editors were real people, with their own tastes, judgments, prejudices that were no more or less valid than mine. And while I didn’t do a Julie Andrews hop-skip or wave a guitar around, I felt confidence–not that I would necessarily be published by these journals, but that my work was valid and belonged in their reading queue. And more importantly, that I belonged.